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Category: Film

Clunky words, fuzzy images

There are quite a few stories around the web which explore the subject of adapting a novel into a screenplay, and ultimately film. What I would like to do is to take a look at these issues from my personal experience while writing my debut novel, “A child made to order”. I would also like to share with you some of the differences which are inherent in these mediums. And how a screenwriter/author might marry two such differing approaches in order to write a finely crafted Story.

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The emotional core of the story – part 2 of 2

Last time, I concluded at how important it is to arrive at a deeper emotional connection between us, the writers, and the characters in our stories. The true stuff of life, our hard earned emotional experience which has burnt its way into our subconscious, and made us into who we are. This time around I would like to go deeper into my own experience of enquiry about the main character of my novel. A protoganist which was as far away from my own personality as I could possibly imagine. Or so I thought initially. But more importantly I would like to break down my process of enquiry into some more manageable steps and conclusions. So others might hopefully take away something of value from this.

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The emotional core of the story – part 1 of 2

Should we write only what we know? Play it safe and approach matters that we have lived through. Or should we take a wild chance, put everything on some fierce card, anything to blast our way out of the safe and comfy shell of ours. Out of our comfort zone. And what does that mean? Might it bring something deeper with it? Something which will bubble up from our subconscious, our heart(?), and attempt to enlighten our essence? To expand our inner cosmos?

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Virtual Reality and the reimagining of Story

The beginning of 2016 saw finally a wide release of several technologies which have made Virtual Reality available to the masses. Coming from a film background myself, with visual storytelling as the main cornerstone of my profession, I would like to take a look at the potential which these new technological tools might bring for us, the creators. I would also like to elaborate on how VR differs from film, what inherent obstacles this might throw our way, and what this entails for future VR-filmmakers.

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